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ものくろぶるーすかい [ TAG Alp-M E-I Miku Noboru↑P title] Music Noboru↑P/のぼる↑P Lyric Noboru↑P/のぼる↑P Arrange Noboru↑P/のぼる↑P Vocal Hatsune Miku Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm10150980 http //www.nicovideo.jp/watch/sm10150980 Translations ■ Show/Hide Romaji mado no soto wa monokuro (monochrome) no sekai gawari no nai hibi wa taikutsu ikiru koto ga wazuka ni omotai tobiori tara karuku naru kana kokoro no tenki yohoo ashita seiten desuka? hitomi ni utsuru mainichi (substituted as keshiki) mata, doose, onaji desho hateshinai hibi no dokoka ni ochiteru kana sagashimono asu ni nare ba kitto mitsukaru kara ima, me wo samashi te boku ni nani ga aru no? toikake te shiroi peeji (page) dake ga ari mashi ta tabun sore wa jibun no enogu de egaku tame no saisho no peeji miage ta aoi sora ga azayaka ni utsutta dekire ba konna fuu ni iro some te mitai kara hateshinai sora no mukoo ni matteru kana sagashimono kinoo yori sukoshi dake mae wo muki ima, te wo nobashi te ningen ga koko ni umare te kita imi nante, nai yo dakara minna mitsukedasun da "ikiru riyuu" wo... hateshinai nibi no dokoka ni ochi teru kana sagashimono asu ni nare ba kitto mitsukaru kara ima, me wo samashi te hateshinai sora no mukoo ni matteru kana sagashimono kinoo yori sukoshi dake mae wo muki ima, te wo nobashi te saa, ima, te wo nobashi te 2010-07-04 Checked by damesukekun 2010-07-04 02 23 Generated automatically [部分編集] ■ Show/Hide Translation Monochrome∞Blue Sky 2010-07-04 First Entry 2010-07-04 02 43 16 (Sun) Last update Trasnlated by d.s.i-620 Title Monochrome∞Blue Sky Lyric Outside the window is the monochrome world The usual days are boring It s a little heavy to live Will it be lighter if I jump down? Will my heart be "sunny" by the forecast? The views in my eyes day by day are all the same anyway Is the one somewhere on the infinite way, The one I m looking for? I m sure I ll find it when tomorrow comes So it s time to wake up I ask myself, "What do I have?" And I only find a blank page Maybe it s the first page to draw on with my own paint The blue sky I look up at is bright in my eyes I wanna dye the page like that if possible Is the one waiting for me over the endless sky, The one I m looking for? I ll try to be a little more positive than yesterday And it s time to hold out the hand There s no reason we were born here So we all try to find out "the reason to live"... Is the one somewhere on the infinite way, The one I m looking for? I m sure I ll find it when tomorrow comes So it s time to wake up Is the one waiting for me over the endless sky, The one I m looking for? I ll try to be a little more positive than yesterday And it s time to hold out the hand So now, it s time to hold out the hand Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る Last modified 2010-07-04 02 43 16 (Sun) Original Lyric, Nicosound MP3, etc http //www5.atwiki.jp/hmiku/pages/9343.html http //nicosound.anyap.info/sound/sm10150980 http //www.nicomimi.com/play/sm10150980 Sub video, PV, other fan made video in YouTube http //www.youtube.com/watch?v=oLH7YWhr3qg [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る http //www.youtube.com/watch?v=oLH7YWhr3qg (Information in this page is based on HatsuneMiku@Wiki) _
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ATTO TERZO 1 - Sinfonia SCENA I （Pianterreno. Fenice e Nerea.） 2 - Recitativo ▼FENICE▲ Assai gioco di me, Nerea, prendesti alla caccia e alla mensa, pria nel rifiuto di sinceri affetti, e in motteggiarmi poi ch altrui gli offersi. ▼NEREA▲ Sol ti diss io che vai mutando oggetti. ▼FENICE▲ Ma preferita, mi sprezzasti. ▼NEREA▲ È in Argo l amoroso costume una sol volta offrir dunque il suo core? Ignota quivi è certo la costanza in amore. Pirra non men di me fra le compagne riso avrà forse della sua conquista. Possesso di beltà degna che s ama facilmente si brama, ma con difficoltà grande s acquista. Guerre di lungo assedio son l amorose, e tempo tu non hai, se all imprese dell Asia in breve andrai. ▼FENICE▲ Quanto più da un amato sen partirei contento, e dopo il gran cimento se tornassi con lauri al crin di gloria, più i riposi godrei della vittoria. Pensa, se greca sei, ch ozioso amator prezzar non dei. 3 - Aria ▼FENICE▲ Degno più di tua beltà questo cor ritornerà dalle prove del valor. Lo sprezzante tuo pensier, perch ho l animo guerrier, è a te d onta, a me d onor. Degno, （etc.） （Parte） 4 - Recitativo ▼NEREA▲ Molto dagli altri amanti differiscon gli eroi. Con impeto e valore, non con lusinga ed arte, fan le geste d Amore come quelle di Marte e se lor non succede quella per cui movesi l alma accesa, non perdon tempo e vanno ad altra impresa. 5 - Aria ▼NEREA▲ Quanto ingannata è quella mal consigliata bella che offerto dall amante l istante perderà. Se piace il primo sguardo, stringasi l nodo allora allontanato dardo il colpo mai non fa. Quanto ingannata, （etc.） （Parte） SCENA II （Galleria. Fenice, Ulisse, poi Deidamia e le sue compagne con Achille.） 6 - Recitativo ▼FENICE▲ Tutto è già pronto. ▼ULISSE▲ Licomede or giace dopo il cibo nel solito sopore. Pirra verrà? ▼FENICE▲ De nostri doni avviso giunger le feci, e ne mostrò vaghezza. Vengono. ▼ULISSE▲ Ma fra lor Pirra non veggio. Delusa è questa trama. ▼FENICE▲ Illustri belle, s alle cortesi e nobili accoglienze questi doni non fian compenso uguale, saranlo in parte degno, come di nostra gratitudin segno. ▼ULISSE▲ Varie bell opre d artificio industre vi piaceran. ▼ACHILLE▲ Vengone a parte anch io. ▼ULISSE▲ Apri, Fenice, quella arca aurata, e tributi abbia ogni bella. ▼DEIDAMIA▲ Troppo, inver, generosa cortesia! ▼ULISSE▲ Deidamia, tu prima scegli… ▼DEIDAMIA▲ Pirra bramo che scelga pria. ▼ACHILLE▲ Bissi, broccati, e nastri e tanti altri ornamenti vaghi a te grati son più scegli… ▼DEIDAMIA▲ E che mai bramato avresti? ▼ACHILLE▲ Una faretra, un arco e ben librati dardi da lanciarsi alle belve. ▼ULISSE▲ Anche alla caccia pensato abbiam. Mira faretre e strali, scudo, elmo, brando… ▼DEIDAMIA▲ Strani doni! Pirra, che fai? ▼ACHILLE▲ Ben calza al crin l elmo guerriero. Specchio lo scudo fia vago ornamento fa col suo tremolar bianco il cimiero. ▼DEIDAMIA▲ (Soccorso, o Numi! Ei si discopre.) Lascia, Pirra, i guerrieri arnesi ecco un bel nastro. ▼ACHILLE▲ Lucido, forte, lieve e acuto è il brando, e d ambo i lati è ben trinciante il taglio. （Suono di trombe e timpani per assalto.） Che fia ciò? ▼ULISSE▲ Di masnada nemica ardir stupendo! Assaltano la reggia… ▼ACHILLE▲ Io la difendo. ▼ULISSE▲ Non è più tempo di scherzar tu sei d un timoroso padre il figlio ardito. Tutta la Grecia si prepara all armi per vendicarsi della grande offesa, e all onorata impresa i veterani e i giovinetti eroi ardono del desio di nobil gloria. Vuole un vero valor morte o vittoria. Le navi approdan già d Ilio all arene sbarca il greco animoso e Troia assale ecco di Priamo il più feroce figlio, Ettorre, e innanzi all asta sua fatale (a difesa, ahi! chi vien del greco onore?) fuggono mille nostre squadre e mille… ▼ACHILLE▲ Che fuggir? fugga Ettorre ecco, ecco Achille. 7 - Aria ▼ACHILLE▲ Ai Greci questa spada sovra i nemici estinti apra d onor la strada, e Troia perirà. Il fato di quel regno sol pende dal mio sdegno; per me "Qui fu già Troia" il pellegrin dirà. Ai greci questa spada, （etc.） （Parte） 8 - Recitativo ▼DEIDAMIA▲ Che più giova celarlo? estremo è il male. Portate lunge dal mio sguardo queste ministre di furor spoglie funeste. Oh giorno a me fatale! Perduta pace mia! ▼ULISSE▲ Deh, ti conforta. ▼DEIDAMIA▲ Che conforto? Ah, spietato! tu la mortale mia sciagura porti, e tu poi mi conforti? 9 - Aria ▼DEIDAMIA▲ M hai resa infelice che vanto n avrai? Oppressi, dirai, un alma fedel. Le vele se darai de flutti al seno infido, sconvolga orribil vento l instabil elemento, e innanzi al patrio lido sommergati, crudel. M’hai resa infelice, （etc.） （Parte） 10 - Recitativo ▼ULISSE▲ Verso il gran fine dell eroiche geste rompansi le dimore. Invan dato l onore ad Ulisse non fu di scoprir l arte del vecchio Licomede e di Peleo, e di condurre Achille all alta impresa. Fisso ho in pensier che quasi tutta mia la gloria sia di questa gran contesa. 11 - Aria ▼ULISSE▲ Come all urto aggressor d un torrente rovinosa alta mole cadente, sotto al braccio del greco guerriero tutto d Asia l impero cadrà. Ma il valor, come belva feroce, senza il senno a sé stesso pur nuoce sarò guida degli altri al furore, e il mio vanto maggiore sarà. Come all’urto, （etc.） （Parte） SCENA III （Appartamento. Licomede, e poi Deidamia.） 12 - Recitativo ▼LICOMEDE▲ Dal destino dipendono gli eventi. Per dover d amistà sì l occultai, ma per dover che al greco onor mi lega la scoperta all altrui senno lasciai. ▼DEIDAMIA▲ Padre, al tuo piè m accogli. ▼LICOMEDE▲ Ergiti, o figlia. Che t affanna? ▼DEIDAMIA▲ Il timore del tuo sdegno. ▼LICOMEDE▲ In che mai errar puoi, dolce figlia? ▼DEIDAMIA▲ Ah, forse errai. ▼LICOMEDE▲ Io ti perdono già parla… ▼DEIDAMIA▲ D amore… ▼LICOMEDE▲ Non temer… ti convien… lieve è l errore. ▼DEIDAMIA▲ Pria che il callido greco Achille discoprisse… ▼LICOMEDE▲ Amor l avea scoperto agli occhi tuoi. S io non credea degne al tuo nobil petto di tale amor le splendide faville, lunge da te sarebbe stato Achille. ▼DEIDAMIA▲ E tu consentirai che m abbandoni? ▼LICOMEDE▲ All amor tuo vorresti ch ei l onor posponesse? l onor dell armi? Corrisposto affetto sia pur tra voi, ma sia pria ch egli parta sol. ▼DEIDAMIA▲ Perché sol pria? ▼LICOMEDE▲ Questo ti basti. ▼DEIDAMIA▲ Ah, non tacermi, o caro, dolce mio genitor… ▼LICOMEDE▲ Le grandi e forti alme al di sopra stan d avverse sorti. Nell assedio troiano il ciel predice che dee perir Achille. （Parte） ▼DEIDAMIA▲ Ah me infelice! SCENA IV （Achille e detta.） ▼ACHILLE▲ Tacita, mesta, sospirosa… ▼DEIDAMIA▲ Ah, ingrato, va’, già pronta è la nave. Lasciami preda al mio mortal tormento udrai la morte mia, sarai contento. ▼ACHILLE▲ No, cara anima mia, tempo v è ancora ch io parta dove onore mi forza, e dar lo vuo’ tutto ad amore. Al regal Licomede richiesta, mia dolce metà, sarai. ▼DEIDAMIA▲ Poi fra perigli bellicosi andrai. ▼ACHILLE▲ Non è degno di te cuor timoroso. ▼DEIDAMIA▲ Vorrai dunque partir? ▼ACHILLE▲ Sì, ma tuo sposo. ▼DEIDAMIA▲ S inganna il tuo pensiero non è degno di me cuor così fiero. Non mi mancan guerrieri, e te non amo. Finsi amar per tradirti ecco chi bramo. SCENA V （Ulisse, e detti.） ▼ACHILLE▲ Antiloco, opportuno or qui giungesti. Deidamia ti brama pensò all offerta del tuo core, e t ama. Ma se intendi acquistar gloria fra l armi, celane il gran pensiero o tradito sarai t ho detto il vero. Vuol partire. ▼ULISSE▲ Figlio di Teti, arresta il piè. Già noto m è il vostro affetto degno momentanea in amor vita ha lo sdegno. Antiloco io non son l itaco Ulisse in me tu vedi. Io, per il greco onore, di Penelope bella lascio il tenero amore. La timid arte di Peleo per trarti da sognato periglio facilmente ingannai, perché in te ritrovai men di Peleo che della Grecia un figlio. Deh, fortunati amanti, uguale al nostro il vostro amor pur sia. Dirà la greca istoria Achille e Deidamia, del par che i dolci affetti, amar la gloria. 13 – Aria ▼ULISSE▲ Or pensate, amanti cori, che le gioie più soavi quelle son de primi amori sul bel fiore dell età. Ai momenti dilettosi sieguon poi le cure gravi, e i contenti de riposi sono gioie d amistà. Or pensate, （etc.） （Parte） Recitativo ▼ACHILLE▲ Sprone ad affetti, e al mio partir conforto, tanto esempio non fia? Achille e Deidamia nelle glorie e in amore saran men che Penelope ed Ulisse? ▼DEIDAMIA▲ Darmi conforto non può quel ch ei disse. ▼ACHILLE▲ Perché vuoi dubitar di mia costanza? ▼DEIDAMIA▲ Perché se parti, o caro, perdo del rivederti ogni speranza. Me infelice! Di Morte (immancabile oracolo il predisse) la falce incontrerai d Ilio alle porte. All ombra tua dunque sarò costante. ▼ACHILLE▲ L oracol parla quel che vuol Calcante. Ignoto è l avvenir. Godersi importa quel ben che la presente ora ti porta. Fian l Amor e la Gloria le gioie mie da te dipende l una, l altra da me. Son nomi immaginati sol, Fato e Fortuna. 14 – Aria ▼DEIDAMIA▲ Consolami, se brami ch io viva a te, mio ben. Confortami, se m ami pensa che nel tuo sen quest anima verrà. Conservami l affetto, ricordati ch aspetto chi renderla dovrà. Consolami, （etc.） （Partono） SCENA VI （Sala regia. Nerea e Fenice.） 15 - Recitativo ▼NEREA▲ Scoperte son le mire De’ politici amori. Per involar un cor da un alma fida, veniste a offrirne i vostri falsi cori. All eroismo ogni viltà disdice. ▼FENICE▲ Per l onor, per la patria il tutto lice. Ma l accusa m offende è in me l amor costante delle più fine tempre. T amai dal primo istante, e t amerò per sempre. T offro il legame del verace affetto in Argo e in me regna, se vuoi. ▼NEREA▲ L accetto. 16 - Aria ▼NEREA▲ Non vuo’ perdere l istante senza creder all amante non si prova fedeltà. Se t accendon il desio la tua gloria, l amor mio, gloria e amor m accenderà. Non vuo’ perdere, （etc.） SCENA ULTIMA （Tutti.） Recitativo ▼LICOMEDE▲ Itaco prence, testimon sarai che all amistà col genitor d Achille e al dover verso Grecia io non mancai. La grave età forzami all ozio. Questo, credi, è il primier momento che spron d invidia io sento. ▼ULISSE▲ Invidia generosa e di te degna! 17 - Recitativo ▼LICOMEDE▲ La destra tua di Deidamia, d Achille stringa il nodo amoroso. Arrida poi l arbitra dea del mondo agli auguri di lor gloria e riposo. 18 - Duetto ULISSE e DEIDAMIA Ama nell armi e nell amar puoi degno in te mostrar l eroe, l amante. Premio del tuo valor sì bel sarà di cor questo l amor costante. Ama, （etc.） 19 - Coro ▼CORO▲ Non trascurate, amanti, gl istanti del piacer volan per non tornar. Se son le belle ingrate, cangiate di pensier folle chi vuol penar. ATTO TERZO 1 - Sinfonia SCENA I Pianterreno. Fenice e Nerea. 2 - Recitativo FENICE Assai gioco di me, Nerea, prendesti alla caccia e alla mensa, pria nel rifiuto di sinceri affetti, e in motteggiarmi poi ch altrui gli offersi. NEREA Sol ti diss io che vai mutando oggetti. FENICE Ma preferita, mi sprezzasti. NEREA È in Argo l amoroso costume una sol volta offrir dunque il suo core? Ignota quivi è certo la costanza in amore. Pirra non men di me fra le compagne riso avrà forse della sua conquista. Possesso di beltà degna che s ama facilmente si brama, ma con difficoltà grande s acquista. Guerre di lungo assedio son l amorose, e tempo tu non hai, se all imprese dell Asia in breve andrai. FENICE Quanto più da un amato sen partirei contento, e dopo il gran cimento se tornassi con lauri al crin di gloria, più i riposi godrei della vittoria. Pensa, se greca sei, ch ozioso amator prezzar non dei. 3 - Aria FENICE Degno più di tua beltà questo cor ritornerà dalle prove del valor. Lo sprezzante tuo pensier, perch ho l animo guerrier, è a te d onta, a me d onor. Degno, etc. Parte 4 - Recitativo NEREA Molto dagli altri amanti differiscon gli eroi. Con impeto e valore, non con lusinga ed arte, fan le geste d Amore come quelle di Marte e se lor non succede quella per cui movesi l alma accesa, non perdon tempo e vanno ad altra impresa. 5 - Aria NEREA Quanto ingannata è quella mal consigliata bella che offerto dall amante l istante perderà. Se piace il primo sguardo, stringasi l nodo allora allontanato dardo il colpo mai non fa. Quanto ingannata, etc. Parte SCENA II Galleria. Fenice, Ulisse, poi Deidamia e le sue compagne con Achille. 6 - Recitativo FENICE Tutto è già pronto. ULISSE Licomede or giace dopo il cibo nel solito sopore. Pirra verrà? FENICE De nostri doni avviso giunger le feci, e ne mostrò vaghezza. Vengono. ULISSE Ma fra lor Pirra non veggio. Delusa è questa trama. FENICE Illustri belle, s alle cortesi e nobili accoglienze questi doni non fian compenso uguale, saranlo in parte degno, come di nostra gratitudin segno. ULISSE Varie bell opre d artificio industre vi piaceran. ACHILLE Vengone a parte anch io. ULISSE Apri, Fenice, quella arca aurata, e tributi abbia ogni bella. DEIDAMIA Troppo, inver, generosa cortesia! ULISSE Deidamia, tu prima scegli… DEIDAMIA Pirra bramo che scelga pria. ACHILLE Bissi, broccati, e nastri e tanti altri ornamenti vaghi a te grati son più scegli… DEIDAMIA E che mai bramato avresti? ACHILLE Una faretra, un arco e ben librati dardi da lanciarsi alle belve. ULISSE Anche alla caccia pensato abbiam. Mira faretre e strali, scudo, elmo, brando… DEIDAMIA Strani doni! Pirra, che fai? ACHILLE Ben calza al crin l elmo guerriero. Specchio lo scudo fia vago ornamento fa col suo tremolar bianco il cimiero. DEIDAMIA (Soccorso, o Numi! Ei si discopre.) Lascia, Pirra, i guerrieri arnesi ecco un bel nastro. ACHILLE Lucido, forte, lieve e acuto è il brando, e d ambo i lati è ben trinciante il taglio. Suono di trombe e timpani per assalto. Che fia ciò? ULISSE Di masnada nemica ardir stupendo! Assaltano la reggia… ACHILLE Io la difendo. ULISSE Non è più tempo di scherzar tu sei d un timoroso padre il figlio ardito. Tutta la Grecia si prepara all armi per vendicarsi della grande offesa, e all onorata impresa i veterani e i giovinetti eroi ardono del desio di nobil gloria. Vuole un vero valor morte o vittoria. Le navi approdan già d Ilio all arene sbarca il greco animoso e Troia assale ecco di Priamo il più feroce figlio, Ettorre, e innanzi all asta sua fatale (a difesa, ahi! chi vien del greco onore?) fuggono mille nostre squadre e mille… ACHILLE Che fuggir? fugga Ettorre ecco, ecco Achille. 7 - Aria ACHILLE Ai Greci questa spada sovra i nemici estinti apra d onor la strada, e Troia perirà. Il fato di quel regno sol pende dal mio sdegno; per me "Qui fu già Troia" il pellegrin dirà. Ai greci questa spada, etc. Parte 8 - Recitativo DEIDAMIA Che più giova celarlo? estremo è il male. Portate lunge dal mio sguardo queste ministre di furor spoglie funeste. Oh giorno a me fatale! Perduta pace mia! ULISSE Deh, ti conforta. DEIDAMIA Che conforto? Ah, spietato! tu la mortale mia sciagura porti, e tu poi mi conforti? 9 - Aria DEIDAMIA M hai resa infelice che vanto n avrai? Oppressi, dirai, un alma fedel. Le vele se darai de flutti al seno infido, sconvolga orribil vento l instabil elemento, e innanzi al patrio lido sommergati, crudel. M’hai resa infelice, etc. Parte 10 - Recitativo ULISSE Verso il gran fine dell eroiche geste rompansi le dimore. Invan dato l onore ad Ulisse non fu di scoprir l arte del vecchio Licomede e di Peleo, e di condurre Achille all alta impresa. Fisso ho in pensier che quasi tutta mia la gloria sia di questa gran contesa. 11 - Aria ULISSE Come all urto aggressor d un torrente rovinosa alta mole cadente, sotto al braccio del greco guerriero tutto d Asia l impero cadrà. Ma il valor, come belva feroce, senza il senno a sé stesso pur nuoce sarò guida degli altri al furore, e il mio vanto maggiore sarà. Come all’urto, etc. Parte SCENA III Appartamento. Licomede, e poi Deidamia. 12 - Recitativo LICOMEDE Dal destino dipendono gli eventi. Per dover d amistà sì l occultai, ma per dover che al greco onor mi lega la scoperta all altrui senno lasciai. DEIDAMIA Padre, al tuo piè m accogli. LICOMEDE Ergiti, o figlia. Che t affanna? DEIDAMIA Il timore del tuo sdegno. LICOMEDE In che mai errar puoi, dolce figlia? DEIDAMIA Ah, forse errai. LICOMEDE Io ti perdono già parla… DEIDAMIA D amore… LICOMEDE Non temer… ti convien… lieve è l errore. DEIDAMIA Pria che il callido greco Achille discoprisse… LICOMEDE Amor l avea scoperto agli occhi tuoi. S io non credea degne al tuo nobil petto di tale amor le splendide faville, lunge da te sarebbe stato Achille. DEIDAMIA E tu consentirai che m abbandoni? LICOMEDE All amor tuo vorresti ch ei l onor posponesse? l onor dell armi? Corrisposto affetto sia pur tra voi, ma sia pria ch egli parta sol. DEIDAMIA Perché sol pria? LICOMEDE Questo ti basti. DEIDAMIA Ah, non tacermi, o caro, dolce mio genitor… LICOMEDE Le grandi e forti alme al di sopra stan d avverse sorti. Nell assedio troiano il ciel predice che dee perir Achille. Parte DEIDAMIA Ah me infelice! SCENA IV Achille e detta. ACHILLE Tacita, mesta, sospirosa… DEIDAMIA Ah, ingrato, va’, già pronta è la nave. Lasciami preda al mio mortal tormento udrai la morte mia, sarai contento. ACHILLE No, cara anima mia, tempo v è ancora ch io parta dove onore mi forza, e dar lo vuo’ tutto ad amore. Al regal Licomede richiesta, mia dolce metà, sarai. DEIDAMIA Poi fra perigli bellicosi andrai. ACHILLE Non è degno di te cuor timoroso. DEIDAMIA Vorrai dunque partir? ACHILLE Sì, ma tuo sposo. DEIDAMIA S inganna il tuo pensiero non è degno di me cuor così fiero. Non mi mancan guerrieri, e te non amo. Finsi amar per tradirti ecco chi bramo. SCENA V Ulisse, e detti. ACHILLE Antiloco, opportuno or qui giungesti. Deidamia ti brama pensò all offerta del tuo core, e t ama. Ma se intendi acquistar gloria fra l armi, celane il gran pensiero o tradito sarai t ho detto il vero. Vuol partire. ULISSE Figlio di Teti, arresta il piè. Già noto m è il vostro affetto degno momentanea in amor vita ha lo sdegno. Antiloco io non son l itaco Ulisse in me tu vedi. Io, per il greco onore, di Penelope bella lascio il tenero amore. La timid arte di Peleo per trarti da sognato periglio facilmente ingannai, perché in te ritrovai men di Peleo che della Grecia un figlio. Deh, fortunati amanti, uguale al nostro il vostro amor pur sia. Dirà la greca istoria Achille e Deidamia, del par che i dolci affetti, amar la gloria. 13 – Aria ULISSE Or pensate, amanti cori, che le gioie più soavi quelle son de primi amori sul bel fiore dell età. Ai momenti dilettosi sieguon poi le cure gravi, e i contenti de riposi sono gioie d amistà. Or pensate, etc. Parte Recitativo ACHILLE Sprone ad affetti, e al mio partir conforto, tanto esempio non fia? Achille e Deidamia nelle glorie e in amore saran men che Penelope ed Ulisse? DEIDAMIA Darmi conforto non può quel ch ei disse. ACHILLE Perché vuoi dubitar di mia costanza? DEIDAMIA Perché se parti, o caro, perdo del rivederti ogni speranza. Me infelice! Di Morte (immancabile oracolo il predisse) la falce incontrerai d Ilio alle porte. All ombra tua dunque sarò costante. ACHILLE L oracol parla quel che vuol Calcante. Ignoto è l avvenir. Godersi importa quel ben che la presente ora ti porta. Fian l Amor e la Gloria le gioie mie da te dipende l una, l altra da me. Son nomi immaginati sol, Fato e Fortuna. 14 – Aria DEIDAMIA Consolami, se brami ch io viva a te, mio ben. Confortami, se m ami pensa che nel tuo sen quest anima verrà. Conservami l affetto, ricordati ch aspetto chi renderla dovrà. Consolami, etc. Partono SCENA VI Sala regia. Nerea e Fenice. 15 - Recitativo NEREA Scoperte son le mire De’ politici amori. Per involar un cor da un alma fida, veniste a offrirne i vostri falsi cori. All eroismo ogni viltà disdice. FENICE Per l onor, per la patria il tutto lice. Ma l accusa m offende è in me l amor costante delle più fine tempre. T amai dal primo istante, e t amerò per sempre. T offro il legame del verace affetto in Argo e in me regna, se vuoi. NEREA L accetto. 16 - Aria NEREA Non vuo’ perdere l istante senza creder all amante non si prova fedeltà. Se t accendon il desio la tua gloria, l amor mio, gloria e amor m accenderà. Non vuo’ perdere, etc. SCENA ULTIMA Tutti. Recitativo LICOMEDE Itaco prence, testimon sarai che all amistà col genitor d Achille e al dover verso Grecia io non mancai. La grave età forzami all ozio. Questo, credi, è il primier momento che spron d invidia io sento. ULISSE Invidia generosa e di te degna! 17 - Recitativo LICOMEDE La destra tua di Deidamia, d Achille stringa il nodo amoroso. Arrida poi l arbitra dea del mondo agli auguri di lor gloria e riposo. 18 - Duetto ULISSE e DEIDAMIA Ama nell armi e nell amar puoi degno in te mostrar l eroe, l amante. Premio del tuo valor sì bel sarà di cor questo l amor costante. Ama, etc. 19 - Coro CORO Non trascurate, amanti, gl istanti del piacer volan per non tornar. Se son le belle ingrate, cangiate di pensier folle chi vuol penar. Handel,George Frideric/Deidamia
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} .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; 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Electric Motorcycles Scooters Market Analysis and Insights Quince Market Insights (QMI) has released a new research study titled Electric Motorcycles Scooters Market” 2023-2032 analysis by the following subjects “Industry size, share, growth, segmentation, manufacturers and developments, key trends, market drivers, restraints, regulations, distribution methods, opportunities, strategies, potential road maps, and annual forecast until 2032"" Click on Link and Get the PDF Sample Copy (Including FULL TOC, Graphs, and Tables) of this report@ https //www.quincemarketinsights.com/request-sample-61925?Offpagepranali_31March23 An Outline of The Competitive Landscape of The Market This section contains comprehensive data on a number of key Electric Motorcycles Scooters market competitors, as well as information on recent changes, market contributions, and effective marketing methods. The report also provides a dashboard summary of the historical and current performance of the top corporations. Electric Motorcycles Scooters Market Size is part of a competitive market. Electric Motorcycles Scooters have evolved into strategic platforms that provide businesses with a stable foundation and information backbone. As a document, the company included the like Jiangsu Xinri E-Vehicle Co. Ltd. (China), Yadea Group Holdings Ltd. (China), NIU International (China), Hero Electric (India), and Silence Urban Ecomobility (Spain).. Market Growth Driver Battery swapping is a new technology that allows owner of electric vehicle to swap out their dying or dead battries with fully charged one. This development could completely transform the E2W market and improve the comfort and ease of long-distance driving for motorists Key Take away Industry drivers, restraints, and opportunities covered in the study A neutral perspective on the market performance Recent industry trends and developments Competitive landscape strategies of key players Potential niche segments and regions exhibiting promising growth covered Historical, current, and projected market size, in terms of value In-depth analysis of the Electric Motorcycles Scooters Market Industry News In January 2023 Yadea Group (China) launched Yadea Keeness VFD atConsumer Electronics Show (CES) in Las Vegas, Nevada. Keeness VFD model is equipped with a 10KW mid-mounted high-performance motor and features a maximum speed of 100km/h, and an acceleration from 0-50km/h in just 4 seconds. Market Segments The chapters on Electric Motorcycles Scooters segmentation allow the readers to understand consumer needs. It allows the business to grow with precision and accuracy. Analysts have highlighted the elements that are expected to influence the segments in the coming years. The publication segments the market on the basis of technology, services, and products. It details the Electric Motorcycles Scooters revenue earned by each of these segments and their potential in the years to come. ✦ Segmentation ✦ by Vehicle Type (Motorcycles, Scooters), by Battery (Lithium Ion, Sealed Lead Acid), by Range (0-75 Miles, 76-100 Miles, Above 100 Miles), by Voltage (60v, 48v, 36v, Others), by Technology (Plug-In, Battery) What are the key dynamic factors that are detailed in the report? Key Market Dynamics The Global Electric Motorcycles Scooters Market research report details the latest industry trends, growth patterns, and research methodologies. The factors that directly contribute to the growth of the market include the production strategies and methodologies, development platforms, and the product model itself, wherein a small change would result in further changes in the overall report. All of these factors are explained in detail in the research study. Market Outlook The report also sheds light on some of the major factors, including R D, new product launches, M A, agreements, partnerships, joint ventures, collaborations, and growth of the key industry participants, on a regional and global basis. Major Features The report provides a thorough analysis of some of the significant factors, which include cost, capacity, capacity utilization rate, production, revenue, production rate, consumption, import/export, supply/demand, gross, market share, CAGR, and gross margin. Besides, the report provides a comprehensive study of the key influencing factors and market inclinations, in addition to the relevant market segments and sub-segments. Analytical Tools The Global Electric Motorcycles Scooters Market report consists the precisely studied and evaluated information of the key players and their market scope using several analytical tools, including SWOT analysis, Porter’s five forces analysis, investment return analysis, and feasibility study. These tools have been used to efficiently study the growth of major industry participants. Potential Customers The report offers detailed insights to users, service providers, suppliers, manufacturers, stockholders, and individuals who are interested in evaluating and self-studying this market. A Synopsis of The Regional Landscape Of The Market This section of the report provides key insights regarding various regions and the key players operating in each region. Economic, social, environmental, technological, and political factors have been taken into consideration while assessing the growth of the particular region/country. The readers will also get their hands on the value and sales data of each region and country for the period 2023-2032. North America (United States, Canada and Mexico), Asia-Pacific (China, Japan, Korea, India, Southeast Asia and Australia), South America (Brazil, Argentina), Europe (Germany, France, United Kingdom, Russia and Italy), Middle East Africa (UAE, Egypt, Saudi Arabia, and South Africa) Report Scope This report aims to provide an extensive presentation of the global market with both qualitative and quantitative analysis, in order to help readers develop business/growth strategies, evaluate the competitive landscape, assess their position in the current market, and make well-informed decisions regarding Electric Motorcycles Scooters Market. The Data is accessible from 2023 to 2032, and the market size, forecasts, and estimates are given in terms of output/shipments (in units) and revenue (in USD millions/billion). This study segments the world market in extensive detail information on regional market sizes for items by type, application, and player are also provided. Market sizes were estimated while taking the effects of COVID-19 and the Russia-Ukraine War into consideration. The analysis includes profiles of the competitive environment, key players, and their specific market shares to provide a detailed understanding of the industry. Additionally, It contains a SWOT Analysis, a PESTEL Analysis, and a Porter’s FIVE Forces Analysis to assist you in understanding the Market, Competitive Landscape, and Factors That affect it, as well as forecasting the company’s future. Report Includes Following Questions What is the anticipated growth rate of the global Electric Motorcycles Scooters Market in the forecast period? Which regional segment is estimated to account for a massive share of the global Electric Motorcycles Scooters Market? What are the primary driving factors of the global Electric Motorcycles Scooters Market? What are the vital challenges faced by the prominent players in the global Electric Motorcycles Scooters Market? Which current trends are likely to offer promising growth prospects in the next few years? How is the competitive landscape of the global Electric Motorcycles Scooters Market at present? What are the key driving factors of the global Electric Motorcycles Scooters Market? Which latest trends are anticipated to offer potential growth prospected in the coming years? Make an Enquiry for purchasing this Electric Motorcycles Scooters Market Report @ https //www.quincemarketinsights.com/enquiry-before-buying/enquiry-before-buying-61925?Offpage/pranali_31March23 About Us QMI has the most comprehensive collection of market research products and services available on the web. We deliver reports from virtually all major publications and refresh our list regularly to provide you with immediate online access to the world’s most extensive and up-to-date archive of professional insights into global markets, companies, goods, and patterns. Contact us Quince Market Insights Phone APAC +91 706 672 4343 / US +1 208 405 2835 / UK +44 1444 39 0986 Email info@quincemarketinsights.com
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組曲『ヴォーカロイドのためのエチュード』 出演 MEIKO 初音ミク MIRIAM http //www.nicovideo.jp/watch/sm2045017 http //www.nicovideo.jp/watch/sm2045017 2008年01月15日 17 58 21 投稿 Vocaloid及びVocaloid2のオリジナル曲 使用Vocaloidは初音ミク、MEIKO、MIRIAM 製作者はラロドラP 一つ前のページにもどる
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ばいなりーすたー [ TAG Alp-B E-A Miku Re nG title] binary star-binary star Music Re nG/Re nG Lyric Re nG/Re nG Vocal Hatsune Miku Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm2516988 http //www.nicovideo.jp/watch/sm2516988 ■ Show/Hide PV http //www.nicovideo.jp/watch/sm6505503 http //www.nicovideo.jp/watch/sm6505503 Translations ■ Show/Hide Romaji 2009-04-26 14 39 First Entry Translation Draft by RomajiGateway8 31 PM 3/26/2009 2009-07-13 Updated Checked by damesukekun sarigenaku karameau itami mo anatatono kyori wo tashikameru tameno mono fuan ni kizuite itemo torawarete kitto owarenai warutsu (waltz) hisoka ni tsutae au nowa futari nishika wakaranai aizu shinkuro (synchro) shitsuzuketeru fure^zu chikaduite wa hanareteku kisekiwa marude renseino you kasanatteiku rain (line) motsureau youni tokete ikukara shikai ga boyakete ikuno kanawanai nara semete saigo no himade kono hikari miushinawanai youni oitsuzuke you sarigenaku karame au itami mo anatatono kyori wo tashikameru tameno mono tou ni fusagatte itemo wasuregatai kizuato ga aruno nariyamamanai miminari to tomedonaku tsuzuku binetsu to zutsuu joudan meita yakusoku dakedo imademo zutto oboete iruno wasuretetemo kamawanai hibikiau kotaega areba iiwa kodoku wo naderu tabini hohoemi ni somaru ureu omoi wo fukaku ni shizumeta mamade sawarenai kara mabayusa ga hanayaide ochiru kage yurete kieru maboroshiwa yori azayaka ni uzuki dasu sonomama de nozomu kara afurederu itoshisa no soko ni oboreteku kanawanai nara semete saigo no himade kono hikari miushinawanai youni oitsuzukeyou sarigenaku karameau itami mo anatatono kyori wo tashikameru tameno mono konomama watashi wo dokokae saratte itteyo motomeru mama kogareru mama ima wo omoidasenai kurai kaerenai tadoru hibi ni "sayonara" ureu kokoro koboreru kara hikaresasete ite [部分編集] ■ Show/Hide Translation 2009-04-26 14 39 First Entry 2009-04-26 14 40 21 (Sun) Last update Trasnlated by soundares Title Binary Star Lyric さりげなく絡め合う痛みも あなたとの距離を確かめる為のもの Even the pain we casually make entwine to one another is something to ensure the distance between you It must be waltz (we) won t be able to end being captivated even when (we re) aware of an angst (inside of us) What is secretly passed to one another is a signal that only two of us can understand Inside a speed that s growing are the phrases that keep synchronizing (We) come close and draw apart one another Those tracks are just like binary stars 不安に気付いていても 捉われてきっと終われないワルツ 密かに伝え合うのは 二人にしか理解らない合図 増してくスピードの中 シンクロし続けてるフレーズ 近づいては離れてく 軌跡はまるで連星のよう Lines that begin to overlap For they start to dissolve like they re entangled to one another (our) sights will start to blur 重なっていくライン 縺れ合うように溶けていくから 視界がぼやけて行くの If it s not going to come true, at least until to the last day I shall follow this light so I won t lose it from my sight 叶わないなら せめて最期の日まで この光 見失わない様に追い続けよう Even the pain we casually make entwine to one another is something to ensure a distance between you さりげなく絡め合う痛みも あなたとの距離を確かめる為のもの Even if it has been closed there s a scar that s tough to forget ringings in my ears that won t stop and... slight fever and headack that continue endlessly 疾うに塞がっていても 忘れ難い傷痕があるの 鳴り止まない耳鳴りと 止め処なく続く微熱と頭痛 It was promise (made) like some joke but I always remembered it even to now It s alright even if you donn t remember It s alright if we can have an answer that will rign to one another 冗談めいた約束だけど 今でもずっと覚えているの 忘れてても構わない 響き合う答えがあればいいわ Every time I stroke solitude, I am dyed into smile Submerging the feeling that lament deep (inside) 孤独を撫でる度に 微笑みに染まる 憂う想いを深くに沈めたままで Beacuse (they) don t touch, the dazzles will flourish and shadows that drop will waver and disappear an illusion becomes even more fresh 触れないから 眩さが華やいで 落ちる影 揺れて消える 幻はより鮮やかに Because you hope just as it start to ache I would drown by the depth of this feeling of love (to you) that brim over 疼き出すそのままで希むから 溢れ出る愛しさの底に溺れてく If it s not going to come true, at least until to the last day I shall follow this light so I won t lose it from sight 叶わないなら せめて最期の日まで この光 見失わない様に追い続けよう Even the pain we casually make entwine to one another is something to ensure a distance between you さりげなく絡め合う痛みも あなたとの距離を確かめる為のもの Please take me away somewhere (now) As you hope, as you long, So (I) won t even remember now このまま私を何処かへ攫って行ってよ 求めるまま 焦がれるまま 今を思い出せないぐらい (To the days we traced the days we can t go back) "Good bye" 還れない辿る日々に「さよなら」 憂う心 零れるから 惹かれさせていて This heart that lament is brimming so, please let me be attracted Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る Last modified 2009-04-26 14 40 21 (Sun) Original Lyric, Nicosound MP3, etc http //www5.atwiki.jp/hmiku/pages/962.html http //nicosound.anyap.info/sound/sm2516988 http //www.nicomimi.com/play/sm2516988 Sub video, PV, other fan made video in YouTube http //www.youtube.com/watch?v=QQkk6lNnvC4 [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る http //www.youtube.com/watch?v=QQkk6lNnvC4 (Information in this page is based on HatsuneMiku@Wiki) _
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